Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Jan Van Eyck
Untitled, known in English as The Arnolfini Portrait, The Arnolfini Wedding, The Arnolfini Marriage, The Arnolfini Double Portrait, or Portrait of Gio

ID: 75314

Jan Van Eyck Untitled, known in English as The Arnolfini Portrait, The Arnolfini Wedding, The Arnolfini Marriage, The Arnolfini Double Portrait, or Portrait of Gio
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Jan Van Eyck Untitled, known in English as The Arnolfini Portrait, The Arnolfini Wedding, The Arnolfini Marriage, The Arnolfini Double Portrait, or Portrait of Gio


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Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.  Related Paintings of Jan Van Eyck :. | Madonna in the Church | Johannes of the evangelist | Stigmatization of St Francis | The Ghent Altarpiece with altar wings closed | Portrait of Jacobaa von Bayern |
Related Artists:
Bernhard Wiegandt
painted Sao Clemente Street, Rio de Janeiro in 1884
Agustin Esteve
Spanish, 1753-died circa 1820
georges rouault
georges rouault(1871 to 1958),French painter, draughtsman and printmaker. Although he first came to prominence with works displayed in 1905 at the Salon d Automne in Paris, in the company of paintings by Henri Matisse and other initiators of Fauvism, he established a highly personal and emotive style. His technique and palette were also highly personal, and they ranged from watercolour blues to a rich, thick application of materials. These demonstrate, in their very complexity, not only originality but also the craft of the artist always in search of a greater form of expression. Even though he never stopped observing mankind, his deep religious feeling allowed him to imbue his work with great spirituality.






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